MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

Signs of the times: Not afraid of the dark

Humra Quraishi describes one part of the apocalypse we are experiencing in India right now – only one part.

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Faces of Rajasthan

Khalid Mohamed in conversation with photographer Chandan Das on his tryst with photography and other creative arts.

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